Category Archives: Religion

Colours of the Maha Kumbh Mela 2013 Highlighted by the Nagababas – Part 1

Kartik Kannan writes about his foray into the Mahakumbh this year. The Mahakumbh is synonymous to the Nagababas, who are the showstoppers there! Read on!


Walking without a destination in mind, is perhaps the best way to enjoy a journey, where you lap up every experience that comes your way, without assigning relative scales to weighing them. The walk in the Kumbh Mela area is one such experience. Even if you aim to keep a destination in mind, the Kumbh Area ends up being so vast, with the constant on-the-move sea of humanity, that you invariably end up getting lost. But, getting lost at the Kumbh, also allowes you to soak in experiences that you don’t find in everyday life.


Wandering through the Kumbh area is a bit like browsing books on Amazon. You come searching for something specific, and Amazon’s recommendations helps you discover a world of other related things that you may not have planned initially. The Kumbh keeps throwing at you a myriad of experiences and cultures, and all you need to do is to be open to understand the world a little better. It just reinforces the age old maxim that life is a journey, more than a destination! And at the Kumbh, it doesn’t matter if you feel you are walking on and on, towards a neverland that you cant find on Google Maps, just sink in and soak up the experience that it bestows on you!


Presenting you the first in the series of ‘Colours of the Maha Kumbh Mela 2013’. Travelers from round the globe drop in to be a part of Kumbh Mela or Kumbh festival inorder to have a glance of these Naga sadhus meditate and perform the weird religious and spiritual activities.


Naga Sadhus belongs to different Akharas (which means camps) and each akharash have their own set of Naga Babas who are living this world in most unconventional way and follow their own set of religion and spiritual activities without caring about this world.


The identification feature of Naga Sadhus include being naked with long hairs knotted with different metals and body smeared with ashes. Not only this, one can see Naga Sadhus could be seen wearing beads of Rudraksha, believe to posses positive healing power according to Hindu mythology. Not just a few but you can witness Naga sadhus wearing thousand of Rudraksha beads and is believed that wearing Eleven thousand Rudrakhsa beads will help them attain the form of Lord Shankara or Lord Shiva.


While you visit the akharas of Naga Sadhus, one can have a glance of these sadhus smoking “CHILUM” (Marijuana). The consumption of bhang is also considered to be a part of the rituals performed by Naga Sadhus. The sadhus hold the view that doing so will lead them to eternity or nirvana. I happened to meet these ascetics/Sadhus in Sector 4, at the Juna Akhara on the 17th of February-2013, a couple of days after the last royal bathing date( Feb 15-Basant Panchami Snan)


Shiva: A Cultural History or Logical Myth?

India is a country of great religious and cultural diversity. Hinduism, being the oldest practiced religion in the world, abounds in Gods, Goddesses and myths. But little do we know that every myth has logic and science behind it.


Brahma, Vishnu, Maheshwar are the Godheads and they seem to be in a constant struggle for dominance. Many scholars believe that each is a manifestation of the other, thereby following the concept of one God. Among these three, Shiva is the most debated one.

The reason, perhaps, is the fact that none have been able to understand Him clearly due to His paradoxical nature. He is the stoic ascetic and the loving husband. He is the destructive power as well as the creative energy. He looks fierce and handsome. He is the wrathful God as well as the serene yogi. He encompasses all these contradictions within himself at the same time. Moreover, he is a dancer, who performs the dance of death which is the key to life.

Let’s take a look at some of His primary features or traits and attempt an analysis:

Shiva’s matted locks decked with a crescent moon


Shiva’s unkempt hair is in indication of his asceticism. This contrasts with his role as the beloved of Parvati. The crescent moon indicates the changing seasons and rejuvenation of life. This again contradicts with Shiva’s image as the destroyer.


Shiva wears a snake coiled around his upper arms and neck and waist. Snakes symbolize the Hindu concept of reincarnation. Their natural process of shedding skin is symbolic of the transmigration of human souls from one life to another.


The upper right hand holds a damru or an hourglass shaped object which has a double significance. Some scholars believe that the first syllable of sound came from Shiva’s damru while others claim that the triangular upward and downward representation of the damru symbolizes the male and female procreative potential, namely, the Lingam, and the Yoni. The creation of the world begins when the lingam and the yoni meet at the mid-point of the damru.

Shiva and Dance


Shiva as Nataraja or the Cosmic Dancer is the second most popular form of Shiva worship, after the Shivalingam. The very idea of dance carries within it a variety of significations. Dance, according to ancient Hinduism, is used to induce trance, ecstasy and the experience of the divine. Dance was meant to be a rhythmic release of energy which was aimed at approaching God. Therefore, Nataraja, represented the rhythmic movement of the entire cosmos.

According to Hindu mythology, Shiva’s dance symbolizes the cosmic cycles of creation and annihilation as well as the daily rhythms of birth and death. Shiva’s dance is perceived by some scholars as the source of all movement within the universe. According to historian, Anand Coomaraswamy, Shiva’s dance represents five essential activities: ‘Shrishti‘ or creation;’ ‘Sthiti‘ or preservation’, ‘Samhara‘ or destruction’, ‘Tirobhava‘ or illusion; and ‘Anugraha‘ or emancipation. In this way the figure heightens its paradoxical nature by uniting its inner tranquillity with outer activity.

The dance of Nataraja is not just a myth. There is a vivid logic behind it. Nataraj’s dance is an allegory of the human condition. Shiva, here, is not just a personal God but a universal principle. The place of the dance, Chidambaram, which is regarded as the centre of the universe, is actually symbolic of the human heart. Shiva performs the dance of Nature.

At an individual level, man is a unity in himself. But at the same time he identifies with the cosmos and is in harmony with the world around him. As Coomaraswamy says, “Everywhere is God, everywhere is the heart.” Shiva’s dance destroys ego, and achieves a state where the self is free of illusion and impure deeds. Shiva dances in order to destroy, to create and destroy again.


Shiva’s physical structure and his dance is an evidence of the superior intelligence of the ancient Indian philosophers who created this magnificent metaphor of the perfect man in complete harmony with Nature.

The cultural history of India is full of myths but every myth has logic behind it. All of them relate to a way of living and conducting life. They educate us on the realities of existence and ways of being in amity with our natural surroundings. The irony is that in our efforts to simplify our lives, we manage to complicate it even further. A careful look at our deities would provide simple answers to our complicated questions.