Category Archives: Music

Zanjeer Review: Not Cult But Not Bad Either

zanjeer

By Ankush Kumar

Cast: Priyanka Chopra, Sanjay Dutt, Ram Charan & Prakash Raj.

Introduction: The original Zanjeer was not a cult classic yet was a good movie. Its remake is no different.

Premise: An angry cop and his angst against the system. A revenge saga that is brutal yet very fresh and convincing.

Plot: Same as the Bachchan original.

Acting: Ram Charan makes an impressive debut, he was never going to be compared with the legend, but still if comparisons are drawn he has performed no less. Priyanka is in to do very little. Mahie Gill & Prakash Raj have done a splendid job. Watch the two when they spoof Bindu & Ajit from the original. It is hilarious.

Tech Spec: The script is very well crafted, retaining the essence of the original and meshing it with modern day drama can get very confusing, but the writers have got this one spot on. The action of the movie is very well choreographed. Apoorva Lakhia holds the film together very nicely. He has smartly created an intelligent masala potboiler.

Kela Moments: None to be honest.

Citizen Kane moment: The scene of Mahie Gill & Prakash Raj spoofing Ajit & Bindu, the opening scene where Ram Charan bashes up a goon on the streets with Chiranjeevi’s poster in the background. The one-liners which are used judiciously and generate laughter.

Brownie Points: 3.5/5.

Ram Charan stands out as the men amongst the boys!!!!

Movie Review: Satyagraha: Poor Story Except In Bits

satyagraha_poster

By Ankush Kumar

Cast: Amitabh Bachchan, Ajay Devgn, Kareena Kapoor, & Manoj Bajpayee.

Introduction: The message is loud and clear. And Satyagraha adds no new aspect to the revolution.

Premise: Only if you are news blind, you will miss the fact that this one is based on the Arvind Kejriwal & Anna Hazare movement.

Plot: Dwarka Anand (Amitabh Bachchan) is a school teacher who lives by the Gandhian principles, Maanav Raghvendra (Ajay Devgn) is a NRI business magnet. At the core it’s the story of these two individuals. How a shrewd businessman becomes a nationalist and then becomes part of the revolution.

Acting: Amitabh Bachchan is brilliant as he underplays his character, the portions where he really breaks down with citizen kanesque acts he is let down by his editors, Ajay Devgn disappoints this time though, the punch is missing in his dialogue delivery. Kareena Kapoor looks less of a journalist and more like an add on. The whistles might be heard but Manoj Bajpayee character is becoming caricaturish now. Arjun Rampal has a miniscule role but his heart is worn on his sleeves.

Technical Insight: The script disappoints, Anjum Rajabali can learn a thing or two with changing times, you will feel like re reading the newspapers all over again with very little entertainment value, editing is hopelessly bad, scenes of highest emotions has been killed by lazy edits. Cinematography though is brilliant especially the revolution bit. The music is a sore bore except for Raghupati Raghav Raja Ram. Prakash Jha, maybe out of commercial compulsions gives in, sir atleast once give us a Damul again.

Kela moments: Many actually. The songs weren’t needed. And how on earth Kareena Kapoor is the only journalist covering the agitation?

Citizen Kane moments: Amitabh Bachchan consoling his widowed daughter in law Amrita Rao, the scene where Mr. Bachchan breaks down when he returns to the scene of his son’s death and Mr. Bachchan scene where he tells Devgn he will miss him when he is gone.

Brownie Points: 2.5/5.

Madras Cafe Review: Dark, Deep And Exemplary Storytelling

madras cafe

By Ankush Kumar

Cast: John Abraham, Nargis Fakhri, and Raashi Khanna.

Introduction: Coffee apart, this one filters bullshit as well and presents an engaging political thriller; get off the train baby and head right into ‘Madras Cafe’.

Premise: This is a story about a hero who fails to save the Prime minister. It’s built around the incidents leading upto the assassination of the Prime minister.

Plot: ‘Madras Cafe’ is a dark, deep and exemplary film about the politics of separatism. If you have a penchant for history and know a little about the LTTE struggle, the connect will be instant. For the naive, it still is an engaging entertainer. Even though no names are taken its quite obvious that the story is about Prabhakaran, LTTE and the killing of Rajiv Gandhi.

Technical Insight: The cinematography by Kamaljeet Negi captures the right tones throughout, the music is unconventional but has a double play value, the editing and sound designs is the stand out aspect of the film. But what puts a cherry on the top is the direction of Shoojit Sircar.

Acting: John Abraham plays a RAW agent, and for a change looks and behaves like one. Nargis Fakhri essays the role of a war correspondent and does it brilliantly. Raashi Khanna is promising but the stand out one is is Prakash Belawade as John associate who takes home the honors.

Kela moment: Jaya speaking in English and Vikram answering in Hindi.

Citizen Kane moment: The climax of the movie.

Brownie points: 4 out of 5.

Once Upon a Time in Mumbai Dobara – Review

By Ankush Kumar

once-630-july3

One of the reasons why the sales of ‘Pass pass’ slumped at its launch was the movie Yaadein. Never in the history of entertainment a movie as lame as that was made, but the makers of painkillers had a smile everytime the movie was screened at any theatre in India. Once upon a time in Mumbai dobara is no different.

Premise: An extremely unique story of two friends falling for the same girl.

Plot: Well! They Lost it!

Acting: Over the top, caricaturish & Lousy.

Citizen Kane moment: A few scenes like Akshay Kumar’s bank sequence or the tayab Ali song and possibly the background music.

Kela moments: Sans the above three the entire movie.

Technical Aspect: As usual brilliant by bollywood standards, gaudy by our western counterparts.

Take home: Acting by Pitobash and Sonali Bendre.

Leave Behind: The dialogues, Rajat Arora tries too hard this time. The plot if there was any, acting a huge let down by the main cast and a disappointing result to a brilliant first part.

Rating: 1 out of 5.

Chennai Express – Is A Full Paisa Wasool Journey

chennai express shwetha

By Shwetha Kalyanasundaram

All set to board the Chennai express?!? Vaango…ukkarango (read: please come…please sit)!!! Is the journey worth the ride?!? Read on.

Full credits to SRK and the moviemakers to have the name of the female lead displayed over the male counterpart! This drew loud raptures from the crowd and what a way to start the two and half hour odd train journey.

Back again as Rahul (naam toh suna hoga), a planned trip to Goa changes track to Rameshwaram, as he comes across Meenamma, who boards the Chennai Express in typical DDLJ style. As the train chugs along, there are definitely some funny gags which have you in splits. A la Rohit Shetty’s ishtyle, the movie serves comedy and action in equal dosages – flying cars and bikes and colorful sets, for a change, we got to see some action involving steel buckets too!

The movie does have its share of rough patches. Deepika’s twang was lousy, despite being a southern belle. Her Hindi was fluent in certain places, while in most of the other scenes, her dialogues were laced with the southern accent. How’s that even possible?!? Gal, you ought to have gone in for a dub-artist. SRK keeps referring to the power of the common man in the movie. Now, how many common men wear or for that matter can afford a Dolce & Gabbana vest today?

A major portion of the film had Tamil dialogues – for a moment, I was confused if I was watching a Hindi movie or a Tamil flick. The female lead, aptly nicknamed Ms. Subtitle serves as an interpreter whenever the need arises. As much as the important bits were translated, it’s obvious that some portions were lost!

SRK’s screen presence is mind blowing and has you begging for more. He tickles the funny bone, makes you shed a tear and packs in quite a punch in the action scenes. Deepika Paduone was a complete stunner and surrenders to her character completely (albeit her southern accent). The veteran southern star Sathyaraj leaves a desired effect but his role was down played that had me a tad disappointed. The villain Niketan Dheer looked menacing and fit into his role perfectly (but even the villain couldn’t speak good Tamil!). Rohit Shetty travels the full mile to deliver an action packed comedy with all the tried and tested ingredients of the genre he is known for.

Chennai Express is a typical family entertainer – full paisa vasool journey!!

Chennai Express: Finally an SRK film with a story

No Rhyme No Reason

no rhyme no reason

 

By Malathy Madathilezham

No rhyme no reason

Why I

Am with you

 

The pain I feel

Drives me closer to you

I realise that now

The days pass by

The fights, abuses and all

But I come back

How long,

Will go on this ?

 

No rhyme no reason

Why I

Am with you

 

The feelings the same

But something’s changed

The joy’s gone,

More of a hollow within

I loathe looking at you

But I can’t leave you

How long

Will go on this?

 

No rhyme no reason

Why I

Am with you

 

Yes, I love you still

But something’s changed

More of make believe

The thought of your touch

I shudder with fear

How long

Will go on this

 

No rhyme no reason

Why I

Am with you

 

 

 

 

Review Ramaiya Vastavaiya: The Story Brings Back A Real Rom-Com

Jeene-Laga-Hoon-Ramaiya-Vastavaiya

So I heard a dime and dozen critical reviews of Ramaiya Vastavaiya. The critics left no stone unturned to tell us that the film is crap. Unfortunately we all know the story behind these reviews. So as a fan of motion cinema I never take these seriously. They are flawed mostly and are myopic. The same critics went gaga over porn and poor taste comedies like Delhi Belly and Masti ( a super semi-porn sequel is about to come). Just goes to show the quality that we have in town.

I went and saw Ramaiya Vastavaiya for myself and though I must admit the film has bits and pieces picked up from Maine Pyaar Kiya and Pyaar Kiya To Darna Kiya, still it kicks of the humour inside you and gives you a great watch of 2 hours and some odd minutes. The performances, especially from Girish Kumar, the male lead was fabulous and Shruti Hassan was as usual refreshing. The other cast that completed the film was ensemble including the likes of Poonam Dhillon, Randhir Kapoor and Sonu Sood and we all know their capabilities as actors. Keeping all this in mind here are two reasons why such films need to be made.

1. We live in an era where comedy is restrained to either semi-porn or poor taste. I gave a couple of examples above and both were monstrous hits. In times like these, a film like Ramaiya Vastavaiya is fabulous to watch with your parents. I know I call upon the wrath of the modern folks here who would call me backward but so be it.

2. Who do we make films for and who do these reviewers talk to while reviewing a film? Big questions these. Frankly, even though a huge chunk of revenues have started to come from multiplexes audiences, we all know films last longer than a week still at single screen theaters in small and medium sized towns. The film completely grasped these audiences mind and hats off to Prabhu Deva for this. He has produced a classic and if you want to test just go and watch the applause in a theater in Tatanagar when Girish wins in the end against his brother-in-law Sonu Sood or when comic scenes happen. Not that these audiences don’t get titilated easily with Masti and Jism but the moment you produce vegetarian comedy like this, you strengthen the life of your film in a theater and increase audience base too.

The review would be incomplete unless we speak of Prabhu Deva. The man chose the script perfectly. Ramaiya Vastavaiya is a remake of his own 2005 Telugu film, Nuvvostanante Nenoddantana, which was a remake of the 1989 Salman Khan starrer, Maine Pyaar Kiya. Then he made sure we all loved the lead actor because if the battering and abuses that were hurled upon him. He completed the film with a lot of finesse and in a film with so much inspiration from everywhere else, a lesser mortal than Prabhu Deva would have surely failed. The way he makes sure everything in the film is made larger and than life is astounding. Colors used are awesome and the village landscape used is also brilliantly shot.

Overall a good watch with the family and I would go in with 3 out of 5 for this one. Frankly one more point for the director Prabhu Deva.