Introduction: Steve Jobs was a complex man as long as he lived, the film is no different.
Premise: JOBS is a competent retelling of Steve’s life till he took control of Apple Inc. in the nineties.
Plot: The film opens in 2001 at the launch of the iPod. And then traces the journey of the greatest innovator from his formative years in college to his wayward actions to his making of Apple. Likewise an apple product the movie keeps moving to one big aspect one after another.
Technical Insight: The background score in the opening scene, through its speakers is one of the best to be heard in recent times. The make up of Ashton Kutcher is a very believable Steve Jobs. The editing disappoints as the director tries to squeeze in too much of everything in one movie.
Acting: Ashton Kutcher plays the role near perfectly, the star in him is not visible as he plays Steve Jobs just well, the supporting cast is good but the man who takes home the honors is Josh Gad who slips into the role of Steve Wozniak beautifully.
Kela moment: The direction overall. Too much has been squeezed in.
Cast: John Abraham, Nargis Fakhri, and Raashi Khanna.
Introduction: Coffee apart, this one filters bullshit as well and presents an engaging political thriller; get off the train baby and head right into ‘Madras Cafe’.
Premise: This is a story about a hero who fails to save the Prime minister. It’s built around the incidents leading upto the assassination of the Prime minister.
Plot: ‘Madras Cafe’ is a dark, deep and exemplary film about the politics of separatism. If you have a penchant for history and know a little about the LTTE struggle, the connect will be instant. For the naive, it still is an engaging entertainer. Even though no names are taken its quite obvious that the story is about Prabhakaran, LTTE and the killing of Rajiv Gandhi.
Technical Insight: The cinematography by Kamaljeet Negi captures the right tones throughout, the music is unconventional but has a double play value, the editing and sound designs is the stand out aspect of the film. But what puts a cherry on the top is the direction of Shoojit Sircar.
Acting: John Abraham plays a RAW agent, and for a change looks and behaves like one. Nargis Fakhri essays the role of a war correspondent and does it brilliantly. Raashi Khanna is promising but the stand out one is is Prakash Belawade as John associate who takes home the honors.
Kela moment: Jaya speaking in English and Vikram answering in Hindi.
The last interview I read on Shahrukh Khan, he said two things. One ‘ Deepika Padukone is the soul of Chennai express’. Two ‘ he wants to be remembered as an actor who constantly tried’.
Chennai express is an example true to his latter statement. The man has definitely tried. SRK has always been your boy next-door actor, whenever he has tried hardcore action, the Baadshah has looked stupid. But here in this journey he has balanced the genres of romance and action perfectly well.
Add to this the comic elements Rohit Shetty style and ‘you would want to get on this train baby’! His former statement that ‘Deepika is the soul of the film’ also holds true. She plays a South Indian girl whose dad is a don and gets the accent and mannerisms spot on.
Rahul played by SRK gets on a train and witnesses the death of a ticket checker, hence Deepika escorts him to her house till matters calm down, and how Rahul escapes the clutches of the goons forms the crux of this Southern sojourn.
The cameraman has captured picturesque Kerala beautifully. The editing of the movie though is a huge let down. The first half of the movie is crisp until Deepika and SRK escape from her home. Post interval though the film drags on endlessly.
Every time a Rohit Shetty film is filled with amazing car related action sequences; this is no difference except for the fact that Ajay Devgn possibly looks better doing those stunts. As long as SRK plays the quintessential lover boy Chennai express is a joyride, but beyond that the movie falters!
The saving grace though is that the movie atleast has a story, and for a change the item numbers have the fun element than the vulgarity.
I am going with 2.5/5 stars with this movie; die-hard SRK fans relish the character of Rahul yet again. Till then Eid Mubarak!
The Trailer and the Movie are worlds apart. This movie feels like a wolverine movie. Do some of the characters come off as cheesy? Yes. Viper is hard to take seriously. But… does the movie deliver?
Its pretty gory for a movie trying to sell toys. It really sets Wolverine up to be almost a zombie. In a sense that if he has his healing factor, you better get creative on how to kill the Mofo. Because it aint going to be easy. We see wolverine dealing with a lot more than he has ever had to deal with in this movie. Losing his healing factor is just one of the many things. PTWS is another.
Jean plays a great role in showing us that Logan is dealing with suicidal thoughts after killing his lover and seeing his professor explode. I guess they actually try to get you to see his personality. Which is hard to do, because at Wolverines truest, he is an IMMORTAL GYPSY.
There is a scene in the beginning of the film that deals with a grizzly… it really makes an effort to get you to understand Logan’s character.
Now… what fans will complain about. Never suits up. Silver Samurai is a Mecha and totally butchered the origin. Some fight scenes are cut short while some drama character developing scenes seem to drag on (which is one of my favorite parts about this movie). And the movie just does not feel like a superhero flick. It feels like a superhero drama, which is something I will not fret about.
Darren Aronofsky was suppose to direct this originally.. I am not sure if he had any influence on the script but… I could see him directing this movie. It was dark, and violent, there was blood on claws! (Never thought I would be excited about that).
So… this was the best Wolverine we will get on screen for a while. Hugh was pushing for this kind of a movie, he has wanted an almost R rated Wolverine forever; it was his push for Darren Aronofsky to direct it. I have to give Hugh credit for knowing that the fans think Wolverine is a violent, Clint Eastwood type of wander and trying to figure out to be that on screen and still sell toys to kids for Fox’s greedy execs. I think if that is the goal… the team nailed it.
So I heard a dime and dozen critical reviews of Ramaiya Vastavaiya. The critics left no stone unturned to tell us that the film is crap. Unfortunately we all know the story behind these reviews. So as a fan of motion cinema I never take these seriously. They are flawed mostly and are myopic. The same critics went gaga over porn and poor taste comedies like Delhi Belly and Masti ( a super semi-porn sequel is about to come). Just goes to show the quality that we have in town.
I went and saw Ramaiya Vastavaiya for myself and though I must admit the film has bits and pieces picked up from Maine Pyaar Kiya and Pyaar Kiya To Darna Kiya, still it kicks of the humour inside you and gives you a great watch of 2 hours and some odd minutes. The performances, especially from Girish Kumar, the male lead was fabulous and Shruti Hassan was as usual refreshing. The other cast that completed the film was ensemble including the likes of Poonam Dhillon, Randhir Kapoor and Sonu Sood and we all know their capabilities as actors. Keeping all this in mind here are two reasons why such films need to be made.
1. We live in an era where comedy is restrained to either semi-porn or poor taste. I gave a couple of examples above and both were monstrous hits. In times like these, a film like Ramaiya Vastavaiya is fabulous to watch with your parents. I know I call upon the wrath of the modern folks here who would call me backward but so be it.
2. Who do we make films for and who do these reviewers talk to while reviewing a film? Big questions these. Frankly, even though a huge chunk of revenues have started to come from multiplexes audiences, we all know films last longer than a week still at single screen theaters in small and medium sized towns. The film completely grasped these audiences mind and hats off to Prabhu Deva for this. He has produced a classic and if you want to test just go and watch the applause in a theater in Tatanagar when Girish wins in the end against his brother-in-law Sonu Sood or when comic scenes happen. Not that these audiences don’t get titilated easily with Masti and Jism but the moment you produce vegetarian comedy like this, you strengthen the life of your film in a theater and increase audience base too.
The review would be incomplete unless we speak of Prabhu Deva. The man chose the script perfectly. Ramaiya Vastavaiya is a remake of his own 2005 Telugu film, Nuvvostanante Nenoddantana, which was a remake of the 1989 Salman Khan starrer, Maine Pyaar Kiya. Then he made sure we all loved the lead actor because if the battering and abuses that were hurled upon him. He completed the film with a lot of finesse and in a film with so much inspiration from everywhere else, a lesser mortal than Prabhu Deva would have surely failed. The way he makes sure everything in the film is made larger and than life is astounding. Colors used are awesome and the village landscape used is also brilliantly shot.
Overall a good watch with the family and I would go in with 3 out of 5 for this one. Frankly one more point for the director Prabhu Deva.
Once in a while comes a man who does not even try to be part of the crowd? There are many who believe they possess certain inherent qualities that will help them be part of the masses easily.
But individuals like Anand Gandhi choose to wait relentlessly for their time to come, and today it’s his day. The day ‘Ship of Theseus’ sails into the hearts of many film lovers. This movie instills pride in you for being part of a humble but subtle audience that craves for true cinema. It shakes up the inner core of your emotions and guides you into a spiritual journey.
The story is set in Mumbai about three individuals and the impact on their lives after certain circumstances. The name of the movie comes from a Greek philosopher’s musing ‘ if a ship is changed plank by plank, log by log, will it be the same as it started out to be’? Anand Gandhi’s film goes through a similar pattern of fate.
The first story is of a photographer whose life changes after a cornea transplant,
the other one of a man who is against animal testing in India and third of a man who has just been donated a kidney. It’s a movie where the actors have put in their hearts and soul in bringing forth the dilemmas of their journey.
The cinematography by Pankaj Kumar is outstanding keeping in mind that most of it is done hand held. A special mention has to be of actor Neeraj Kabi who stands out amongst others. His performance will draw comparisons with Tom Hanks in Philadelphia. Lets celebrate the courage of Anand Gandhi and his cinema.
Rohit Sakunia just returned from watching World War Z and could not restrain himself from penning down 4 reasons why it is a viewers delight. Read on
1. Brad Pitt is brilliant: Needless to say this but still the fact remains that Brad Pitt can make even an ordinary flick seem like an extraordinary. He is fabulous, creates scenes which only he can, and travels the globe to find out the answer to a virus which could bring the next apocalypse, or has it already. The zombies look feeble in front of him (which they should considering the great looks of Pitt) and he perfectly settles into the rugged look that he has been crafted in. Considering he is also one of the producers of the film, he definitely has put all in it.
2. Zombies, Thrill, suspense and the Apocalypse: So you just returned after watching Go Goa Gone and have no mental strength remaining to watch yet another. Don’t worry, this is a Hollywood thriller and would look much more realistic and magnanimous then anything you have seen on zombies in your life yet. The scale on which the film has been made and the fact that it has been portrayed as a global apocalypse makes it a must watch for all Armageddon followers.
3. It’s a smart film: When I say its a smart film, it means the script actually makes sense vis-a-vis other Zombie films. It actually makes sense to say that this film goes beyond the normal senseless fun that zombie movies are related to. Its a mystery where the protagonist actually picks up clues to solve a problem which could lead to the end of the world. And lastly
4. It will make you jump and grip the next seating guy tightly: So even though the film makes sense it still gives you moments when you’ll jump off from your seat in sheer fear and thrill. Like all Zombie thrillers, this isn’t a full-time jumping jack film but it has moments where it can scare. Director Marc Foster instills wonders just when you least expected and just when you think the moment is not close comes a thrill that throws you out of the seat. The good thing is it’s not gory but still curls you up in your seat in anticipation of what is to happen next. Its not the classic horror movie, but in its moments, it surpasses all you have seen in the best horror flicks.