Tag Archives: Shruti Haasan

D-Day Movie Review: Story, Performances Awesome

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The movie goes beyond the plain logistics of the ugly world of espionage to try and put a human face to the people who lose everything and gain nothing in their line of work, says Jaideep Ghosh

The movie’s momentum is built up right from the first sequence, as a catchy version of ‘Damadam Mast Kalandar’ sets the pace which is sustained remarkably throughout the plot by director Nikhil Advani. The tempo has its ups and downs in terms of speed but doesn’t lose the momentum of intensity at any time.

Wali (Irrfan Khan), Rudra (Arjun Rampal), Zoya (Huma Qureshi) and their local outlaw-turned-agent Aslam (Aakash Dahiya) are ordered by the RAW boss in India, Ashwini Rao (Nasser), to bring back to India the most wanted terrorist, Iqbal (Rishi Kapoor).

Within that framework, Advani has been able to push through the human tragedy that espionage can be. Wali’s wife and son are used as a handle by the ISI to try and snatch Iqbal back, tearing the spy between country and family. Zoya’s marriage falls victim to her work while Rudra’s love is a death sentence for a Pakistani prostitute (played brilliantly by Shruti Haasan).

It’s a movie about how human tragedy can even work as a catalyst for people to go so far beyond the realms of realism in an effort to achieve something. Also, it shows how these people, operating in the shadows, are no one’s children (RAW frantically tries to disown them when the plan threatens to fall through).

Rampal is sculpted to near-perfection, but Advani decided not to load him with excess histrionics, which worked fine. Huma is good and Irrfan, who has set a high benchmark, does sometimes threaten to look like the same guy we saw in other movies. Rishi Kapoor is at his cynical best while Haasan and Shriswara, as Wali’s wife Nafisa, have really done extremely well.

The music, if you have the patience to appreciate a good score, will keep you spellbound, especially if you can appreciate the mix of music and picturisation.

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Review Ramaiya Vastavaiya: The Story Brings Back A Real Rom-Com

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So I heard a dime and dozen critical reviews of Ramaiya Vastavaiya. The critics left no stone unturned to tell us that the film is crap. Unfortunately we all know the story behind these reviews. So as a fan of motion cinema I never take these seriously. They are flawed mostly and are myopic. The same critics went gaga over porn and poor taste comedies like Delhi Belly and Masti ( a super semi-porn sequel is about to come). Just goes to show the quality that we have in town.

I went and saw Ramaiya Vastavaiya for myself and though I must admit the film has bits and pieces picked up from Maine Pyaar Kiya and Pyaar Kiya To Darna Kiya, still it kicks of the humour inside you and gives you a great watch of 2 hours and some odd minutes. The performances, especially from Girish Kumar, the male lead was fabulous and Shruti Hassan was as usual refreshing. The other cast that completed the film was ensemble including the likes of Poonam Dhillon, Randhir Kapoor and Sonu Sood and we all know their capabilities as actors. Keeping all this in mind here are two reasons why such films need to be made.

1. We live in an era where comedy is restrained to either semi-porn or poor taste. I gave a couple of examples above and both were monstrous hits. In times like these, a film like Ramaiya Vastavaiya is fabulous to watch with your parents. I know I call upon the wrath of the modern folks here who would call me backward but so be it.

2. Who do we make films for and who do these reviewers talk to while reviewing a film? Big questions these. Frankly, even though a huge chunk of revenues have started to come from multiplexes audiences, we all know films last longer than a week still at single screen theaters in small and medium sized towns. The film completely grasped these audiences mind and hats off to Prabhu Deva for this. He has produced a classic and if you want to test just go and watch the applause in a theater in Tatanagar when Girish wins in the end against his brother-in-law Sonu Sood or when comic scenes happen. Not that these audiences don’t get titilated easily with Masti and Jism but the moment you produce vegetarian comedy like this, you strengthen the life of your film in a theater and increase audience base too.

The review would be incomplete unless we speak of Prabhu Deva. The man chose the script perfectly. Ramaiya Vastavaiya is a remake of his own 2005 Telugu film, Nuvvostanante Nenoddantana, which was a remake of the 1989 Salman Khan starrer, Maine Pyaar Kiya. Then he made sure we all loved the lead actor because if the battering and abuses that were hurled upon him. He completed the film with a lot of finesse and in a film with so much inspiration from everywhere else, a lesser mortal than Prabhu Deva would have surely failed. The way he makes sure everything in the film is made larger and than life is astounding. Colors used are awesome and the village landscape used is also brilliantly shot.

Overall a good watch with the family and I would go in with 3 out of 5 for this one. Frankly one more point for the director Prabhu Deva.