Category Archives: Movie Review

Once Upon a Time in Mumbai Dobara – Review

By Ankush Kumar

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One of the reasons why the sales of ‘Pass pass’ slumped at its launch was the movie Yaadein. Never in the history of entertainment a movie as lame as that was made, but the makers of painkillers had a smile everytime the movie was screened at any theatre in India. Once upon a time in Mumbai dobara is no different.

Premise: An extremely unique story of two friends falling for the same girl.

Plot: Well! They Lost it!

Acting: Over the top, caricaturish & Lousy.

Citizen Kane moment: A few scenes like Akshay Kumar’s bank sequence or the tayab Ali song and possibly the background music.

Kela moments: Sans the above three the entire movie.

Technical Aspect: As usual brilliant by bollywood standards, gaudy by our western counterparts.

Take home: Acting by Pitobash and Sonali Bendre.

Leave Behind: The dialogues, Rajat Arora tries too hard this time. The plot if there was any, acting a huge let down by the main cast and a disappointing result to a brilliant first part.

Rating: 1 out of 5.

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Chennai Express – Is A Full Paisa Wasool Journey

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By Shwetha Kalyanasundaram

All set to board the Chennai express?!? Vaango…ukkarango (read: please come…please sit)!!! Is the journey worth the ride?!? Read on.

Full credits to SRK and the moviemakers to have the name of the female lead displayed over the male counterpart! This drew loud raptures from the crowd and what a way to start the two and half hour odd train journey.

Back again as Rahul (naam toh suna hoga), a planned trip to Goa changes track to Rameshwaram, as he comes across Meenamma, who boards the Chennai Express in typical DDLJ style. As the train chugs along, there are definitely some funny gags which have you in splits. A la Rohit Shetty’s ishtyle, the movie serves comedy and action in equal dosages – flying cars and bikes and colorful sets, for a change, we got to see some action involving steel buckets too!

The movie does have its share of rough patches. Deepika’s twang was lousy, despite being a southern belle. Her Hindi was fluent in certain places, while in most of the other scenes, her dialogues were laced with the southern accent. How’s that even possible?!? Gal, you ought to have gone in for a dub-artist. SRK keeps referring to the power of the common man in the movie. Now, how many common men wear or for that matter can afford a Dolce & Gabbana vest today?

A major portion of the film had Tamil dialogues – for a moment, I was confused if I was watching a Hindi movie or a Tamil flick. The female lead, aptly nicknamed Ms. Subtitle serves as an interpreter whenever the need arises. As much as the important bits were translated, it’s obvious that some portions were lost!

SRK’s screen presence is mind blowing and has you begging for more. He tickles the funny bone, makes you shed a tear and packs in quite a punch in the action scenes. Deepika Paduone was a complete stunner and surrenders to her character completely (albeit her southern accent). The veteran southern star Sathyaraj leaves a desired effect but his role was down played that had me a tad disappointed. The villain Niketan Dheer looked menacing and fit into his role perfectly (but even the villain couldn’t speak good Tamil!). Rohit Shetty travels the full mile to deliver an action packed comedy with all the tried and tested ingredients of the genre he is known for.

Chennai Express is a typical family entertainer – full paisa vasool journey!!

Chennai Express: Finally an SRK film with a story

Chennai Express: Finally An SRK Film With A Story

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By Ankush Kumar

The last interview I read on Shahrukh Khan, he said two things. One ‘ Deepika Padukone is the soul of Chennai express’. Two ‘ he wants to be remembered as an actor who constantly tried’.

Chennai express is an example true to his latter statement. The man has definitely tried. SRK has always been your boy next-door actor, whenever he has tried hardcore action, the Baadshah has looked stupid. But here in this journey he has balanced the genres of romance and action perfectly well.

Add to this the comic elements Rohit Shetty style and ‘you would want to get on this train baby’! His former statement that ‘Deepika is the soul of the film’ also holds true. She plays a South Indian girl whose dad is a don and gets the accent and mannerisms spot on.

Rahul played by SRK gets on a train and witnesses the death of a ticket checker, hence Deepika escorts him to her house till matters calm down, and how Rahul escapes the clutches of the goons forms the crux of this Southern sojourn.

The cameraman has captured picturesque Kerala beautifully. The editing of the movie though is a huge let down. The first half of the movie is crisp until Deepika and SRK escape from her home. Post interval though the film drags on endlessly. 

Every time a Rohit Shetty film is filled with amazing car related action sequences; this is no difference except for the fact that Ajay Devgn possibly looks better doing those stunts. As long as SRK plays the quintessential lover boy Chennai express is a joyride, but beyond that the movie falters!

The saving grace though is that the movie atleast has a story, and for a change the item numbers have the fun element than the vulgarity.

I am going with 2.5/5 stars with this movie; die-hard SRK fans relish the character of Rahul yet again. Till then Eid Mubarak!

D-Day Movie Review: Story, Performances Awesome

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The movie goes beyond the plain logistics of the ugly world of espionage to try and put a human face to the people who lose everything and gain nothing in their line of work, says Jaideep Ghosh

The movie’s momentum is built up right from the first sequence, as a catchy version of ‘Damadam Mast Kalandar’ sets the pace which is sustained remarkably throughout the plot by director Nikhil Advani. The tempo has its ups and downs in terms of speed but doesn’t lose the momentum of intensity at any time.

Wali (Irrfan Khan), Rudra (Arjun Rampal), Zoya (Huma Qureshi) and their local outlaw-turned-agent Aslam (Aakash Dahiya) are ordered by the RAW boss in India, Ashwini Rao (Nasser), to bring back to India the most wanted terrorist, Iqbal (Rishi Kapoor).

Within that framework, Advani has been able to push through the human tragedy that espionage can be. Wali’s wife and son are used as a handle by the ISI to try and snatch Iqbal back, tearing the spy between country and family. Zoya’s marriage falls victim to her work while Rudra’s love is a death sentence for a Pakistani prostitute (played brilliantly by Shruti Haasan).

It’s a movie about how human tragedy can even work as a catalyst for people to go so far beyond the realms of realism in an effort to achieve something. Also, it shows how these people, operating in the shadows, are no one’s children (RAW frantically tries to disown them when the plan threatens to fall through).

Rampal is sculpted to near-perfection, but Advani decided not to load him with excess histrionics, which worked fine. Huma is good and Irrfan, who has set a high benchmark, does sometimes threaten to look like the same guy we saw in other movies. Rishi Kapoor is at his cynical best while Haasan and Shriswara, as Wali’s wife Nafisa, have really done extremely well.

The music, if you have the patience to appreciate a good score, will keep you spellbound, especially if you can appreciate the mix of music and picturisation.

Review: The Wolverine: The Best We Saw Wolverine on Screen

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By Ankush Kumar

The Trailer and the Movie are worlds apart. This movie feels like a wolverine movie. Do some of the characters come off as cheesy? Yes. Viper is hard to take seriously. But… does the movie deliver?

Its pretty gory for a movie trying to sell toys. It really sets Wolverine up to be almost a zombie. In a sense that if he has his healing factor, you better get creative on how to kill the Mofo. Because it aint going to be easy. We see wolverine dealing with a lot more than he has ever had to deal with in this movie. Losing his healing factor is just one of the many things. PTWS is another.

Jean plays a great role in showing us that Logan is dealing with suicidal thoughts after killing his lover and seeing his professor explode. I guess they actually try to get you to see his personality. Which is hard to do, because at Wolverines truest, he is an IMMORTAL GYPSY.

There is a scene in the beginning of the film that deals with a grizzly… it really makes an effort to get you to understand Logan’s character.

Now… what fans will complain about. Never suits up. Silver Samurai is a Mecha and totally butchered the origin. Some fight scenes are cut short while some drama character developing scenes seem to drag on (which is one of my favorite parts about this movie). And the movie just does not feel like a superhero flick. It feels like a superhero drama, which is something I will not fret about.

Darren Aronofsky was suppose to direct this originally.. I am not sure if he had any influence on the script but… I could see him directing this movie. It was dark, and violent, there was blood on claws! (Never thought I would be excited about that).

So… this was the best Wolverine we will get on screen for a while. Hugh was pushing for this kind of a movie, he has wanted an almost R rated Wolverine forever; it was his push for Darren Aronofsky to direct it. I have to give Hugh credit for knowing that the fans think Wolverine is a violent, Clint Eastwood type of wander and trying to figure out to be that on screen and still sell toys to kids for Fox’s greedy execs. I think if that is the goal… the team nailed it. 

Rating: 3.5/5

Review Ramaiya Vastavaiya: The Story Brings Back A Real Rom-Com

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So I heard a dime and dozen critical reviews of Ramaiya Vastavaiya. The critics left no stone unturned to tell us that the film is crap. Unfortunately we all know the story behind these reviews. So as a fan of motion cinema I never take these seriously. They are flawed mostly and are myopic. The same critics went gaga over porn and poor taste comedies like Delhi Belly and Masti ( a super semi-porn sequel is about to come). Just goes to show the quality that we have in town.

I went and saw Ramaiya Vastavaiya for myself and though I must admit the film has bits and pieces picked up from Maine Pyaar Kiya and Pyaar Kiya To Darna Kiya, still it kicks of the humour inside you and gives you a great watch of 2 hours and some odd minutes. The performances, especially from Girish Kumar, the male lead was fabulous and Shruti Hassan was as usual refreshing. The other cast that completed the film was ensemble including the likes of Poonam Dhillon, Randhir Kapoor and Sonu Sood and we all know their capabilities as actors. Keeping all this in mind here are two reasons why such films need to be made.

1. We live in an era where comedy is restrained to either semi-porn or poor taste. I gave a couple of examples above and both were monstrous hits. In times like these, a film like Ramaiya Vastavaiya is fabulous to watch with your parents. I know I call upon the wrath of the modern folks here who would call me backward but so be it.

2. Who do we make films for and who do these reviewers talk to while reviewing a film? Big questions these. Frankly, even though a huge chunk of revenues have started to come from multiplexes audiences, we all know films last longer than a week still at single screen theaters in small and medium sized towns. The film completely grasped these audiences mind and hats off to Prabhu Deva for this. He has produced a classic and if you want to test just go and watch the applause in a theater in Tatanagar when Girish wins in the end against his brother-in-law Sonu Sood or when comic scenes happen. Not that these audiences don’t get titilated easily with Masti and Jism but the moment you produce vegetarian comedy like this, you strengthen the life of your film in a theater and increase audience base too.

The review would be incomplete unless we speak of Prabhu Deva. The man chose the script perfectly. Ramaiya Vastavaiya is a remake of his own 2005 Telugu film, Nuvvostanante Nenoddantana, which was a remake of the 1989 Salman Khan starrer, Maine Pyaar Kiya. Then he made sure we all loved the lead actor because if the battering and abuses that were hurled upon him. He completed the film with a lot of finesse and in a film with so much inspiration from everywhere else, a lesser mortal than Prabhu Deva would have surely failed. The way he makes sure everything in the film is made larger and than life is astounding. Colors used are awesome and the village landscape used is also brilliantly shot.

Overall a good watch with the family and I would go in with 3 out of 5 for this one. Frankly one more point for the director Prabhu Deva. 

Ship of Theseus: Movie Review: Story Sails Into The Hearts Of Film Lovers

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By Ankush Kumar

Once in a while comes a man who does not even try to be part of the crowd? There are many who believe they possess certain inherent qualities that will help them be part of the masses easily.

But individuals like Anand Gandhi choose to wait relentlessly for their time to come, and today it’s his day. The day ‘Ship of Theseus’ sails into the hearts of many film lovers. This movie instills pride in you for being part of a humble but subtle audience that craves for true cinema. It shakes up the inner core of your emotions and guides you into a spiritual journey. 

The story is set in Mumbai about three individuals and the impact on their lives after certain circumstances. The name of the movie comes from a Greek philosopher’s musing ‘ if a ship is changed plank by plank, log by log, will it be the same as it started out to be’? Anand Gandhi’s film goes through a similar pattern of fate.

The first story is of a photographer whose life changes after a cornea transplant,
the other one of a man who is against animal testing in India and third of a man who has just been donated a kidney. It’s a movie where the actors have put in their hearts and soul in bringing forth the dilemmas of their journey.

The cinematography by Pankaj Kumar is outstanding keeping in mind that most of it is done hand held. A special mention has to be of actor Neeraj Kabi who stands out amongst others. His performance will draw comparisons with Tom Hanks in Philadelphia.
Lets celebrate the courage of Anand Gandhi and his cinema.

Rating: 5/5